
Vehicle; 2004; Wood, acrylic paint, paper, cardboard and string; 5” x 4 1/4” x 4 1/4” inches
© 2023 John Paul Lavertu

Screen captures from being, 2005, 4:59 running time, looped
© 2019 John Paul Lavertu

Installation view of Vehicle and being from The Boss Show at Galleryonetwentyeight in 2006.
© 2023 John Paul Lavertu

KaBoom!; 2011; Paper, mat board, acrylic paint, India ink and paint on wood, 4 3/4” x 3” x 3” inches
© 2023 John Paul Lavertu

Coming Home, 2003, India ink and paint on wood, 13 1/8” x 10 1/16” 3 1/2” inches
© 2023 John Paul Lavertu
Photograph by Sean McEntee



The New Happiness, 2000-2001, Wood, various fabrics, battery-operated lighting, metal, paper, fishing line, cardboard, plastic, plexiglass, acrylic paint, silver point, color pencil, pencil, and india ink, 4 1/4” x 4 1/4” x 4 1/4” inches
©2023 John Paul Lavertu
Photograph by Sean McEntee

Borobudur, 1998-1999, wood, acrylic, india ink, leaf, string, 8 1/2” x 5 5/8” x 2 1/4”. Private Collection
© 2023 John Paul Lavertu
Photograph by Sean McEntee











Vehicle; 2004; Wood, acrylic paint, paper, cardboard and string; 5” x 4 1/4” x 4 1/4” inches
© 2023 John Paul Lavertu
Screen captures from being, 2005, 4:59 running time, looped
© 2019 John Paul Lavertu
Installation view of Vehicle and being from The Boss Show at Galleryonetwentyeight in 2006.
© 2023 John Paul Lavertu
KaBoom!; 2011; Paper, mat board, acrylic paint, India ink and paint on wood, 4 3/4” x 3” x 3” inches
© 2023 John Paul Lavertu
Coming Home, 2003, India ink and paint on wood, 13 1/8” x 10 1/16” 3 1/2” inches
© 2023 John Paul Lavertu
Photograph by Sean McEntee
The New Happiness, 2000-2001, Wood, various fabrics, battery-operated lighting, metal, paper, fishing line, cardboard, plastic, plexiglass, acrylic paint, silver point, color pencil, pencil, and india ink, 4 1/4” x 4 1/4” x 4 1/4” inches
©2023 John Paul Lavertu
Photograph by Sean McEntee
Borobudur, 1998-1999, wood, acrylic, india ink, leaf, string, 8 1/2” x 5 5/8” x 2 1/4”. Private Collection
© 2023 John Paul Lavertu
Photograph by Sean McEntee